There’s always been something of a unique aura about Grant Green’s music, an ability that is somehow mystifying and intangible. Green played the guitar more like a horn player, having copped Charlie Parker and Miles Davis licks in his youth. Being a guitarist, his music was firmly rooted in Detroit blues and his music swings hard. His solos are almost always perfect, notable for extending repeated three note phrases over as many as 6, 8, 12, and even 16 measures at a time, making subtle rhythmic variations with each repetition, generating an obsessive tension that is relieved with either a flurry of notes or a single held tone. His solos have a strong melodic sensibility and he rarely plays fast for the sake of playing fast. Green is one of the rare few who managed style and substance, rather than sacrificing one for the other. Green died in 1979.
His distinct work has been sampled by Cypress Hill, A Tribe Called Quest, Digable Planets, Wu-Tang Clan, and Kendrick Lamar. Which is testament to the fact that you don’t manage to meaningfully contribute to history without knowledge, without taste, and without heritage.