Richard D. James released his album Drukqs in 2001 and then “retired”, “disappeared”, and basically “stopped releasing music.” There has been speculation on various messageboards that he has been behind numerous releases, among them titles by Steinvord, The Tuss (officially confirmed to be a project of his own), Smojphace, Jodey Kendrick, Syntheme, and pretty much anything else that is electronic and not obviously associated with a particular entity. He’s been known to drop disinformation in various media outlets, including a claim that his production kit included an MC-909 Limited Edition, a Quasimidi Van Helden and “all the Behringer effects that copy other things” (lulz). I think this a very clever PR tactic on his part. Certainly it must be incredibly entertaining if nothing else.
Like many other IDM heads, I made my first Aphex Twin download on Napster in 2000. I came across his name on a list of futuristic musicians. He was among other artists whom were shoe-horned onto this list such as DJ Spooky, Brian Eno, and Moby. In retrospect, Aphex Twin was the only artist to sincerely be peering into the possible future of what music could become. In fact, he was already performing live with a laptop as early as 1995!!
I credit Aphex with ultimately getting into electronic music production. He opened a world of possibilities for me. He’s also name-dropped artists who are still huge favorites (Tod Dockstader, Venetian Snares, and Holly Herndon). I imagine Aphex to be familiar with Jonty Harrison as well. He’s never really been easily categorized and he continues to make statements in long outdated styles (jungle, drum n’ bass, acid, etc.) and always with a plethora of rare analogue equipment. He is rumored to own a super-rare Yamaha GX-1. I imagine his synth collection, disklavier, and whatever else he has in his studios is worth millions. The guy has always struck me as a true businessman, never bragging about revenue but always on top of his earnings.